Jay and the Americans Only in AmericaM. C. Antils Song of the Day December 2, 2. A daily snapshot of songs you might not knowbut should. Growing up on Upper West Side of Manhattan, Cynthia Weil dreamed of one day becoming a triple threat actor, singer and dancer. Fastcut Cnc Software there. But while still in her teens, she discovered her real talent was writing lyrics and soon landed a job as a Tin Pan Alley lyricist in the publishing company headed by the legendary Broadway taskmaster Frank Loesser. Tin Pan Alley being the umbrella name given to the dozens of music publishing and production companies that once operated in the old Brill Building at 1. Broadway. But by the late 1. Don Kirshner and Al Nevins, the face of American recording industry was starting to radically change. The Tin Pan Alley tunesmiths of the Brill Buildings heyday people responsible for so many of the chestnuts in the Great American Songbook were slowly but surely being phased out of mainstream pop culture, replaced by a new generation of songwriters, many of whom were marrying the sounds and rhythms of race records to the realities of post war American life. The result was a new type of music, some started calling rock and roll. Cynthia Weil and Barry Mann. Weil eventually went to work for Kirshner and Nevins company, Aldon Publishing, which had set up shop in the Brill Building annex, just a half a block uptown and around the corner from the original home of Tin Pan Alley. Thats where Weil met another young songwriter named Barry Mann. Mann, a Brooklyn kid who had an incredible talent for melody, had written a few hit songs for other artists and would go on to score one of his own the gently mocking novelty hit, Who Put the Bomp. In very short order Mann and Weil became, first professional partners, then life ones. And by the early Sixties they had emerged as one of three husband and wife songwriting teams churning out hits in the original Brill Building and its kissin cousin the others being Jeff Barry Ellie Greenwich and Gerry Goffin Carole King. Social Awakening. Early in 1. 96. 2, Goffin and King wrote a dance tune for their 1. Super Collapse 3 Free Download Full Version there. Eva Boyd, called The Loco Motion. Fueled by a powerful, driving rhythm, the song was a huge hit and transformed Little Eva from a baby sitter and part time house cleaner into a pop star. But later Goffin and King discovered that Boyd was regularly being beaten up by her boyfriend, and would often show up for work battered and bruised. They asked her why she put up with the abuse, and she told them that when her boyfriend beat her it proved he loved her. Little Eva. They were appalled and immediately wrote a song titled, He Hit Me And it Felt Like a Kiss, which the Crystals recorded under Phil Spectors firm hand, watchful eye and golden ear. Goffin and King hoped the irony of the song would raise awareness of domestic abuse. But the irony was ultimately lost on too many listeners and the record came off as something of a back handed endorsement. Following a storm of protest in many markets the song found itself dropped from radio station playlists like the proverbial hot potato. A few weeks prior, Weil Cyn, as she was known to her friends had also written lyrics for a very different kind of pop ballad. She and Mann called it Uptown. The song, was also recorded by the Crystals, painted a picture of young love light years away from the love many other composers continued to write about. Barcode Dll Full Version'>Barcode Dll Full Version. The world Weil created in Uptown was urban without being the least bit urbane, and it was a world populated, not by white people living in relative middle class comfort, but by city dwellers living in working class despair most of them, it would seem, people of color. Whats more, it spoke not of the dreams of some better world that might exist out there, but of the harsh realities of life as it truly was He gets up each mornin and he goes downtown. Where everyones his boss and hes lost in an angry land. Hes a little man. But then he comes uptown each evening to my tenement,Uptown where folks dont have to pay much rent. And when hes there with me,He can see that hes everything. Then hes tall. He dont crawl. Hes a king. The Crystals. Shortly thereafter, Weil and Mann followed Uptown with Hes Sure the Boy I Love, a song once again recorded by the Crystals though this time with the incredible Darlene. Love singing lead. Like Uptown, Hes Sure the Boy I Love put an extremely fine point on romance in the bricks, and its sentiments were expressed in an urban vernacular one didnt normally hear in a love song He dont hang diamonds round my neck,All hes gots an unemployment check. He sure aint the boy I been dreamin of,But hes sure the boy I love. Though He Hit Me never got any airplay to speak of, and Uptown and Hes Sure the Boy I Love failed to crack the Top Ten, each was critically important in that it would help turn 1. Brill Building, if not all of pop music. Because with the release of those three songs, pop lyricists everywhere started mining the kind of real life social situations American kids found themselves in, and writing socially relevant, sometimes danceable pop songs that when fully produced turned those real life situations into dramatic, even operatic, two and three minute teenage opuses. On Broadway. The following spring Weil wrote the lyrics to another new song, something she called On Broadway. It might have been more than just a bit autobiographical, as its central character was a young girl dreaming of becoming a big Broadway star. Producers Jerry Leiber and Mike Stoller, based in the original Brill Building, were set to go into the studio with the Drifters the following day and were still one song short of an album. When they asked around to see if anyone had an original song to fill out their recording session, Mann and Weil walked down the street and played for them an unadorned version of On Broadway. Leiber and Stoller thought the song had potential, but wanted to rework it for a male voice, specifically the Drifters Rudy Lewis. So that night, the four songwriters got together and began fine tuning. When they finished their all night session, what had once been an uptempo pop song of wide eyed optimism sung by a young, wanna be ingnue turned into a far more subdued, and slightly bluesier lament by a male singerguitar player whod been chasing the dream for a while. The resulting lyric, tempo and melody tweaks, along with profound sense of hope the singer still maintained despite his lack of success, proved to be magic and On Broadway complete with a guitar solo by a young Phil Spector became one of the most memorable two and a half minutes in the history of pop music. The resulting lyric, melody and tempo tweaks proved to be magic and On Broadway became one of the most memorable two and a half minutes in the history of pop music. A few weeks later, Weil wrote the lyrics to yet another song that went far beyond the palette of most pop tunesmiths. She called it Only in America. Weil had never really written a protest pop song, but this was as close as shed ever come. At that point in 1. Promo Only Mainstream Radio March 2012' title='Promo Only Mainstream Radio March 2012' />RACE, Clark KMPC, 197177 KBRT, 1980. Clarks radio career dovetailed perfectly with the golden era of pop music in the late 50s and throughout the 60s. Bring Out the GIMP Girls in Merciless Peril May 2012 Archives. Discussion Forum for Extreme Bondage Fantasy Video. DVDs or Web. One month of many years of archives. Upper Deck Notre Dame 1988 Champions Football looks back three decades to the last time the Fighting Irish won the National Championship. Exclusive to Upper Deck. The mass media is a diversified collection of media technologies that reach a large audience via mass communication. The technologies through which this communication. The latest news and headlines from Yahoo News. Get breaking news stories and indepth coverage with videos and photos. Promo Only Mainstream Radio March 2012' title='Promo Only Mainstream Radio March 2012' />Bon Jovi is an American rock band. Its first commercial release was the single Runaway in 1983. It was taken from their 1984 selftitled debut album Bon Jovi which. CAMPAGNA, Vince KFWB, 196997. Vince was a longtime newsman for KFWB and contributor to the history of Southern California radio. He began his radio career in.